Paul-Jean-Jacques Lacome d'Estalenx (4 March 1838 – 12 December 1920) was a French composer. Between 1870 and the turn of the century he produced a series of operettas and operas-bouffes that were popular both in France and abroad. Interest in his works revived briefly during World War I when they were successfully revived in Paris.
Lacome was born in Le Houga, Gers, in Gascony, the only child of an artistic and musical family.[1] He became a competent player of the piano, flute, cornet, cello and ophicleide, and studied with the organist José Puig y Absubide in Aire-sur-Adour between 1857 and 1860.[2] He won a prize, in a magazine competition, with an operetta, Le dernier des paladins, which was to have been presented at the Théâtre des Bouffes Parisiens, but the policy of the theatre changed and the piece was not staged.[3]
Lacome settled in Paris, where he wrote music criticism and had more than 20 operettas performed between 1870 and the end of the century.[2] His operetta La Dot Mal Placée ("The Misplaced Dowry", 1873) was a hit abroad as well as in Paris. It played 117 times in Barcelona, and had similar runs in Naples, Madrid and Austria.[4] Madame Boniface was given in Montreal in 1885.[5] Ma mie Rosette (1890) was his biggest success in Britain.[2] In France, the most successful of his shows was Jeanne, Jeannette et Jeanneton (1876), whch ran for more than 200 performances despite having a libretto previously rejected by Offenbach.[4]
In addition to his operas, Lacome composed songs, chamber music and orchestral works, including a ballet, Le rêve d'Elias (1899), which ran for more than 100 performances in Paris and had a similar run in London.[1] To mark the centenary of the French Revolution in 1889, he conceived the idea of reviving the operas of the revolutionary era, reorchestrating them to suit modern tastes. Under his supervision there were revivals of Paisiello's The Barber of Seville and Dalayrac's Raoul, sire de Créqui and La soirée orageuse at the Opéra Comique.[1]
In 1901 Lacome retired, returning to live at the family house at Le Houga. He became a local benefactor, endowing the church and founding a music school at Mont-de-Marsan nearby, where he taught until 1912.[1] He was made a Chevalier of the Legion of Honour.[3] Some of Lacome's works were revived in Paris during World War I, when, as one commentator put it, the French craved reminders of a happier era.[4] Between 1914 and 1918 there were revivals of Ma mie Rosette and Jeanne, Jeannette et Jeanneton, and two revivals of Madame Boniface.[1]
Lacome died at his house in Le Houga at the age of 82.
Lacome's operettas are listed below,[2] with the names of the librettists and dates of Paris premières: